![]() ![]() Ultra Q and Ultraman were extremely successful upon their 1966 broadcast, with Ultra Q making him a household name in Japan and gaining him more attention from the media who dubbed him the "God of Tokusatsu". In April 1963, Tsuburaya founded Tsuburaya Special Effects Productions his company would go onto produce the television shows Ultra Q, Ultraman (both 1966), Ultraseven (1967–1968), and Mighty Jack (1968). He served as the effects director for Toho's string of financially successful tokusatsu films that followed, including, Rodan (1956), The Mysterians (1957), The Three Treasures (1959), Mothra, The Last War (both 1961), and King Kong vs. At age fifty-three, he gained international recognition and won his first Japan Technical Award for Special Skill for directing the effects in Ishirō Honda's kaiju film Godzilla (1954). In 1950, Tsuburaya returned to Toho alongside his effects crew from Tsuburaya Special Technology Laboratory. Thus, he founded Tsuburaya Special Technology Laboratory with his eldest son Hajime and worked without credit at major Japanese studios outside Toho, creating effects for films such as Daiei's The Invisible Man Appears (1949), widely regarded as the first Japanese science fiction film. In 1948, however, Tsuburaya was purged from Toho by the Supreme Commander for the Allied Powers because of his involvement in propaganda films during World War II. His elaborate effects were believed to be behind the film's major success, and he won an award for his work from the Japan Motion Picture Cinematographers Association. Tsuburaya directed the effects for The War at Sea from Hawaii to Malaya in 1942, which became the highest-grossing Japanese film in history upon its release. In 1937, Tsuburaya was employed by Toho and established the company's effects department. His first majorly successful film in effects, The Daughter of the Samurai (1937), remarkably featured the first full-scale rear projection. After filming his directorial debut on the cruiser Asama in the Pacific Ocean, he worked on Princess Kaguya (1935), one of Japan's first major films to incorporate special effects. Tsuburaya completed the first iron shooting crane in October 1934, and an adaptation of the crane is still in use across the globe today. At the age of thirty-two, Tsuburaya watched King Kong, which greatly influenced him to work in special effects. Thereafter, he worked as an assistant cinematographer on several films, including Teinosuke Kinugasa's A Page of Madness (1926). In a career spanning five decades, Tsuburaya worked on approximately 250 films, including several globally renowned features directed by Akira Kurosawa, Ishirō Honda, and Hiroshi Inagaki, and earned six Japan Technical Awards.įollowing a brief stint as an inventor, Tsuburaya was employed by Japanese cinema pioneer Yoshirō Edamasa in 1919 and began his career working as an assistant cinematographer on Edamasa's A Tune of Pity. ![]() ![]() Known as the "Father of Tokusatsu", he pioneered Japan's special effects industry, introducing several technological developments in film productions. He is considered one of the most important and influential figures in the history of cinema and a creator of the Godzilla and Ultraman franchises. ![]() 4, including Hajime, Noboru and AkiraĮiji Tsuburaya ( Japanese: 円谷 英二, Hepburn: Tsuburaya Eiji, J – January 25, 1970) was a Japanese special effects director, filmmaker and inventor. ![]()
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